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| The intention of the event Ibsen
through New Eyes is to provide an arena where scholars and theatre
practitioners working on Ibsen in a non-conventional way can have direct
interaction in order to learn from each other and to explore
cross-cultural approaches to Ibsen’s work. |
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| The event Ibsen through New Eyes
will consist of |
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Opening Ceremony |
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Time : 16:30
Date : 12 November 2009
Venue : Main Stage, National Theatre, Bangladesh Shilpakala Academy |
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The international seminar Ibsen through New Eyes
: Religion and Freedom |
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Dates : 13-15 November
2009
Venue : Seminar & Conference Hall, Jahangirnagar University |
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The focus of the
seminar will be on cross-cultural approaches to Ibsen’s texts within
theory as well as theatre practice and film productions, with
particular emphasis on religion and freedom. Key note speakers are
Prof. Frode Helland, Director, Centre for Ibsen Studies, University
of Oslo and Prof. Julie Holledge, Drama Department, Flinders
University, Australia. In addition there are confirmed paper
readers from Australia, Bangladesh, China, Czech Republic, Egypt,
France, Germany, India, Iran, Nepal, Norway, Mexico, Morocco,
Pakistan, Turkey and USA. |
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The international
theatre festival Ibsen through New Eyes |
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Dates : 12-22 November
2009
Venues : National Theatre: Main Stage, Experimental Theatre Hall and
Studio Theatre. |
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The festival will focus
on Ibsen productions in Arab and Asian countries where religion is a
dominating factor in social or socio-political life. There will be
in total 21 theatre productions based on Ibsen’s plays.
Participating countries are Bangladesh, Egypt, India, Iran, Nepal
and Pakistan. |
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Interactive sessions |
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Dates : 16-22 November
2009
Venue : Studio Theatre, National Theatre |
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The interactive sessions
will give an opportunity for dialogue between theatre directors,
performers and international Ibsen scholars on the basis of selected
theatre productions staged in the festival. |
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Ibsen-Lab: Cultural
transmission of Ibsen's texts
Working text: The Lady from the Sea |
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Dates : 16-18 November
2009
Venue :
Rehearsal Room-1, National Theatre |
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Ibsen-Lab is part of the
research project Ibsen between Cultures, Centre for Ibsen
Studies, University of Oslo. Dhaka will be an Ibsen-Lab site, along
with Oslo, Shanghai, Adelaide, Mumbai and Kathmandu. The aim of
Ibsen-Lab is to look inside rehearsal rooms where Ibsen's plays are
being adapted to local cultures. Theatre directors and actors across
three continents will rehearse two scenes from The Lady from the
Sea in their home cities while researchers document their
approaches. By comparing this data, the researchers hope to throw
new light on the cultural transmission of Ibsen's texts. Director of
Dhaka Ibsen-Lab: Dr. Saleque Khan; Ibsen-Lab Research Coordinator:
Prof. Julie Holledge, Drama Department, Flinders University,
Australia. Facilitated by Centre for Asian Theatre (CAT). |
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Art exhibition 1 :
Images of Selim Al Deen's Life & Plays |
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Opening date : 14
November 2009
Exhibition period : 14-22 November 2009
Venue : National Art Gallery, Bangladesh Shilpakala Academy |
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Selim Al Deen, a pioneer of neo-theatre movement in Bangladesh, a
theoretician of drama, a scholar, an organizer who has developed a
'new drama form' based on the narratives of traditional indigenous
theatre. His contribution to Bengali drama is considered a legendary
dramatist in the post-colonial Bangla literature. The drama legend
was honoured with several prestigious national and international
awards, including the Bangla Academy Literature Award, National Film
Award, Ekushey Padak and Olokto Shahitya Puroshkar.
More than 100
artists will take part in this art exhibition : Images of Selim Al
Deen’s Life and Works. |
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Art exhibition 2 :
Ghosts of the Heartland by Sara Paula Hoffman, Professor of Art,
Savannah College of Art and Design, USA |
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Opening date : 14
November 2009, with lecture by Prof. Sara Paula Hoffman
Exhibition period : 14-22 November 2009
Venue : National Art Gallery, Bangladesh Shilpakala Academy |
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The exhibition includes psychologically inspired
oil paintings and drawings influenced by Ibsen’s play, Gengangere
(Ghosts). The artist creates visual theatre on a two-dimensional
stage in paintings and drawings. The work draws the curtain on the
illusory Kodak moment of the artist’s mid-20th century family
life in America’s Heartland. This Midwestern family is viewed
through an Ibsen lens; the artist brings themes from the play into
her contemporary narrative works. The aim of exhibition is to prompt
wide ranging dialogues with the viewers on topical issues from
Ibsen’s plays on the basis of the artist’s autobiographical visual
journal, and past showings of Sara Paula Hoffman’s paintings and
drawings have sparked such dialogues. |
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Film Shows: Ibsen
Crossing Borders |
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Date : 14-22
November 2009
Venue :
Rehearsal Room-2,
National Theatre |
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| The full programme will be made
available at the home page of Centre for Asian Theatre (CAT) :
www.catbd.org or by contacting Centre
for Asian Theatre. |
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For further information and
registration, please contact Centre for Asian Theatre (CAT).
Closing date for interested paper readers to submit abstracts: 15
September 2009
Closing date for participants in seminar and interactive sessions: 12
October 2009
Mosharraf Hossain Tutul
Prof. Shafi Ahmed Kamaluddin
Nilu
Secretary General
Seminar Coordinator Consultant
Contact information
Plot: 100-101, Block-D
Avenue-1, Section-2,
Mirpur, Dhaka-1216
Bangladesh
Website : www.catbd.org
E-mail: cat@bdmail.net |
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